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TT#14 X HAYLEY POWER
TT#13 X kiskadee
TT#12 X WILL McCARTNEY
TT#11 X CHLOE CORDON
TT#10 X NAZNEEN READ
TT#09 X TEAM SOLO
TT#08 X BARRIE WILLIAMS
TT#07 X PAT MURPHY
TT#06 X MICHELLE STODDART
TT#05 X STEPHEN MEAD
TT#04 X SUE HIGGS
TT#03 X CLIVE PICKERING
TT#02 X DAVID DEARLOVE
TT#01 X JAMES YUILL
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Is finding music a headache or a joy?
What do you look for in a music supervisor?
How important is music in the production process?
At which stage of a project do you usually brief a music supervisor? Is briefing a music supervisor in person (real life/virtual/phone call) important?
Is it important to use a number of different companies in order to get a broader range of ideas? Some brands have preferred supplier music companies, does this make the process easier or more difficult?
Which part (if any) of finding music do you find the most stressful?
Would you like a music supervisor to help the client with music decision making? Would you prefer a music company to take over the entire process?
Is music affordable for your clients? Have you noticed a change in music budgets?
What impact (if any) has an increased drive towards diversity and representation had on decision making with regards to music production partners and choice of music talent?
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